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Rolling Stone Awards portraits 2012

Back in January, the night before Big Day Out, i photographed a bunch of the artists at the Rolling Stone Awards at the Beresford.

Much like last year i set up a little studio and pulled in the artists to do a quick portrait over the course of the evening.

The photos made up a 5 page spread in the March issue of Rolling Stone.

It was a really fun thing to shoot. One of those days where it doesn’t feel like work, just having a laugh and shooting some pictures with old pals. The free flowing tequila may have had something to do with it.

Here’s the rest of the layout as it appeared in the magazine, followed by some extra pictures.

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How I Learned To Stop Worrying and Love the Portfolio

It’s been about seven years in the making, but today I published my first ever photography portfolio.

Welcome to the world danielboud.com

There’s a couple of reasons why it’s taken so long. Firstly, if procrastination was an Olympic sport I’d be representing Australia. Why do today what you can put off till tomorrow? Or the next day.

But more crucially, the long delay is because I didn’t have the confidence to stand by my work – to assemble a group of photos and say “This is the best I can do”.
Yes, I’ve always had a blog, but that’s more ephemeral, it’s based on recent work, not the best work.

I look at most photographer’s portfolio sites and I’m awed by their talent.

I don’t feel I stack up, and to create a portfolio to be judged next to theirs will have me coming out second best.

So it’s been easier to not even enter the race. I’ve survived on word-of-mouth so far.

My path to photography sometimes makes me feel illegitimate. I didn’t go to school for photography and I haven’t paid my dues assisting. And frankly, this career is something of an accident.

I often read the bios on other photographers sites and it seems a common story to say “I picked up the photography bug as a teenager and was destined for a life behind the lens.”

Not me. I don’t come from a traditionally “creative” family. My parents are both university teachers. I never longed for the bohemian freelance artistic existence. A steady income and good honest work would suit me.

I fell head over heels for photography in my mid 20′s, and it was simply for the joy of taking pictures and sharing them. There was no grand ambition to make money from it. It was simply fun and rewarding to see myself get better over time.

I may not have inherited the creativity from my parents, but I did get the desire to learn. And photography is a great craft for that – because you can never master it.

These days I get loads of emails from teenagers asking me for advice on how to become a photographer or offering to assist me. When I was their age I had no idea what I wanted to do with my life. If you’d suggested a career as a photographer I’d think it absurd.

But to bring this back on track, I now feel I have paid my dues. I am a competent photographer with something to offer. I’ve shot hundreds of thousands of pictures. I’ve notched up my 10,000 hours of deliberate practice. I’ve made a comfortable living off photography for over 5 years full time and several years before that learning the craft.

And the final catalyst that gave me the confidence to make the portfolio – a creative agency asked to represent me. And they needed a portfolio.

So it was time to get over my hang ups, be more professional and stand by my work.

I had to push through the editing process and ignore the voice in my head saying all my photos were mediocre and I was a fraud.

And once I did, it all came together relatively quickly. I created a portfolio catalogue in Lightroom, selected the pictures, then built the site with Digital Photo Gallery and kept the design super simple.

Hello danielboud.com

I don’t share all this for sympathy or replies of “don’t be so hard on yourself”. I do it because I think a lot of people probably suffer the same self doubt and need a reminder that sometimes you’ve just got to extinguish that negative voice and push on through.

Ricki-Lee ‘Do It Like That’ stills

A few weekends ago i took some stills on the set of Ricki-Lee‘s music video for new single Do It Like That for her label EMI.

And a shot i did on the day is the new single cover.

I love seeing how they light things on film shoots. It’s always an education observing the Directors of Photography in action. They’re far more knowledgable about light than most photographers.

From a stills perspective it’s quite straightforward, because everything is all laid out for you and you can’t control too much. The talent and location is already styled and it’s all lit for you. So part of the skill is in being a ninja and not getting in anyone’s way. Stills aren’t a priority for the crew so you have to be incredibly discrete and stay out of the way. And if you do need some time one on one with the talent you best summon up your charm skills so they schedule it in.

Here’s the music video:

And credits:

Production Co: Cooper St Films
Director: Emma Tomelty
Producer: Nick Bryant
DOP: James L Brown
Choreographer: Marko Panzic
Editor: Brad Hurt
Colourist: Heather Hay at FSM
Online Compositor: Howie Hill at FSM

13 seconds with Eugene Levy

Eugene Levy in Time Out Melbourne magazine

I’ve written before about the brief nature of junket hotel room shoots, and here’s another good example with American Pie star Eugene Levy.

It was shot at the tail end of a 20 minute Time Out interview in the Sydney Intercontinental Hotel.

I looked up the time stamp on these shots, and there’s 13 seconds from start to finish.

I set up the same lighting as i did for the Robin Williams shoot, my Canon Speedlite in a little Photoflex Octabox.

In terms of direction, i simply asked him to adjust his glasses. Lo and behold – that was the frame that illustrated the story.

The Baxter Inn and Tio’s in Monocle

My pictures of Baxter Inn in Monocle

Through a lucky referral from Will, i did my first assignment for Monocle magazine last month, shooting Sydney bars of the moment Baxter Inn and Tio’s.

The story features in the new issue of Monocle which has lots of other Australian stories in.

Here’s some of my pictures.

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Laneway Festival Photo Gallery 2012

Laneway Festival Photo Gallery

It was with much joy that i again joined the Laneway Festival tour this year as their official photographer. I covered three shows in Sydney, Brisbane and Melbourne and arranged local people for Perth and Adelaide.

One of the things i was most proud of is the Laneway Festival Photo Gallery that i put together with DPG and curated with my photos plus the work of many other wonderful photographers.

Here’s a small sample of my pictures, have a browse through the Laneway Photo Gallery for many more.

PR photography for fun and profit

Luke Steele of Empire of the Sun last night at the PlayStation Vita launch event

I don’t post much of the photography here that i shoot for public relations companies. For whatever reason PR photography is looked down upon compared to editorial or commercial work. And often the photography can be fairly pedestrian, lots of socials, overt branding and b grade celebs – but i’m lucky enough to shoot some quality and fun PR events from time to time.

So here’s a bit of a wrap of things i’ve shot the last couple of weeks.

Last night was the launch of PlayStation Vita on a floating bar on Sydney Harbour with Empire of the Sun DJs aka Luke Steele and his wife Jodie.

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Summer at the Opera House

Nick Zinner's 41 Strings in the Concert Hall of Sydney Opera House

The past couple of months i’ve had the great pleasure of photographing a number of different things for the Sydney Opera House.

Rolling up to work at one of the world’s most iconic buildings never gets tired. And shooting fun things is a great bonus.

Here’s some of the photos, starting with Laura Marling last night.

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Big Day Out Sydney 2012

Another Australia Day, another trip out to Homebush for the Big Day Out.

Like my first time photographing Big Day Out back in 2006 i was shooting pictures for SPIN.

Interview and portrait tips in Digital Photography magazine

Words of Wisdom: article layout in Digital Photographer magazine

About 6 months ago i got an email from writer/photographer Lisa Perkovic asking if i’d be interested in talking to her about my work for a story in Digital Photographer magazine. I’m always happy to talk photography, so over email i answered some of her questions, and now they’re in print in the current issue of the magazine.

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Portrait Photography

Rolling Stone Awards
Rolling Stone Awards portraits 2012

Back in January, the night before Big Day Out, i photographed a bunch of the artists at the Rolling …

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Music Photography

Rolling Stone Awards
Rolling Stone Awards portraits 2012

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Documentary Photography

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Ricki-Lee ‘Do It Like That’ stills

A few weekends ago i took some stills on the set of Ricki-Lee‘s music video for new single Do …

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Published Work

Rolling Stone Awards
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