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Photographing The Medics

Something from the archives today with a look at a shoot with young Cairns band The Medics that i did in June 2009.

I’ve been lucky enough to shoot stills on a Foxtel project that’s profiling various indigenous artists, and that’s what took me to the Dreaming Festival last year for several things, including this photo with The Medics.

The video crew were filming the band on a road by a river, and i had a few minutes to drag them away for pictures.

When we got to the location i set up the backdrop and lights with my trusty assistant Elleni.

Testing

The lighting set up was pretty simple and self evident. Two umbrellas, one to white out the backdrop, one to light the band. The power was set to match the daylight.

One thing i’ve learned working on film shoots is that stills is understandably way down the list of priorities. So it was about four hours between the test shot and getting the band in.

Thankfully the weather cleared up nicely in that time. Good for my shots, not so good for the continuity on the film shoot.

More testing. More people.

More testing. Don't hate me Elleni and Brooke.

The band wander over

I took some pictures of each band member before bringing them all in.

It was feeling a little static so we did a silly shot too.

Then a couple without the backdrop.

If it all gets a bit too serious then getting your talent to jump is a good solution.

And now of course the line-up of the band has changed, so the pictures are out of date and relegated to history.

Sigh.

Interview with photographer Jill Greenberg

One of Jill Greenberg's monkey portraits on the cover or The New Republic

Ahead of her appearance at Semi-Permanent creative conference in Sydney this Saturday, i spoke to photographer Jill Greenberg over the phone for an article in The Brag.

It had to be edited down for print, so here’s the full transcript.

Jill Greenberg is a photographer from Los Angeles who straddles the fields of commercial, editorial and art photography. Practicing for 20 years she’s become known for her striking portraits of people and animals – from the Hollywood A-list, to a controversial series on crying children, to two books of portraits of monkeys and bears.

Her work is highly staged, perfectly lit, and unashamedly retouched to perfection.

Photographers are often told that they need to develop a personal style to set them apart. What would you say sets you apart?

I’m very interested in graphic design and a lot of different art mediums. It all combines in it’s own unique way. I’ve been working as a photographer for 20 years but i’ve been making pictures my whole life. Over time i’ve developed my own unique way of looking at things.

I like things that are funny and make you feel something. It all reflects some of my personality.

Often when i photograph people i like to have them make the same expression as me. I’ll say ‘Look at me like a cocky asshole’, just because it’s a funny expression to make.

From Jill Greenberg's series on bears, Ursine.

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A photo tribute to Surry Hills

To coincide with the Surry Hills themed issue of Time Out Sydney, the magazine held a one night only photo exhibition at Urban Uprising featuring 20 of my pictures, plus some more by Will Storr.

The pictures are all of Surry Hills people and places, some taken on assignment for Time Out, some just my personal work.


Surry Hills is a suburb dear to my heart, it’s where i was born, it’s where i’ve lived, and it’s where i spend so much of my time.

So it was a pleasure pulling some pictures from the archives for the show and sharing them with many of my Surry Hills pals.

Minnie Cooper's alter ego

Thanks are due to Urban Uprising, Dan, Andy, Phil, Roxy, ACP, Hardware Gallery, Pie Face, Peroni, Chandon and Café Lounge.

The show ran for one night only at Urban Uprising, but i’ve moved many of the shots to Café Lounge, where they’re on display till next Wednesday.

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Leeanna Walsman

I took a few snaps of actress Leeanna Walsman after an interview for Time Out the other week.

It was in the corridor of the Sydney Theatre Company, where Leanna is appearing in Stockholm.

Hugo Weaving

Serious thespian Hugo Weaving

Here’s some snaps of the superb actor Hugo Weaving. It was a last minute affair, i only found out i was getting a photo opp with him 20 minutes before the shoot.

They were taken in a minute i had in a hotel room while he was on a junket for Wolfman. No time for any fancy set up, but he’s got such a great face, a straight portrait works okay.

Less serious thespian

Here’s the Time Out interview he did after i shot him.

Time Out’s Surry Hills cover

The Hills are alive! Time Out Sydney's March cover

Sometimes a magazine cover photo is inspired by a coverline, in this case “The Hills are alive!” which described Time Out Sydney’s feature on Surry Hills.

The Sound of Music

The Sound of Music

It ends up being a little tenuous, but the idea was to allude to the classic image of Julie Andrews in the Sound of Music, but with a modern twist.

We found a friend (thanks Amelia!) who looked a bit like Julie Andrews and shot some pictures one morning at my home studio.

Easy-peasy.

Hair and make-up was by Emily Sarks.

The cover photo straight from the camera

We tried one look with a blue dress that didn't make the cut

Monotonix wreak havoc at The Annandale

Monotonix frontman Ami Shalev plays drums while elevated by the crowd

Israeli punk band Monotonix played one of the most unpredictable and mayhem fueled gigs i’ve ever seen at The Annandale last night.

The room was about half full, so to begin the 3 piece band set up their gear in the middle of the room for the audience to circle around.

From the get go it was bedlam. Frontman Ami was grabbing people’s drinks and spitting them back in their faces, running along the bar, lifting a girl in the crowd and placing her on the drummers shoulders, placing a garbage bin over the drummers head, then grabbing a drum and playing while elevated by the crowd.


At one point the whole band relocated to be playing on top of the thin bar – the next moment the singer had coaxed the crowd to lift him above their heads on a couch.


Perhaps the most brazen moment of the night was when the band marched right out the frontdoors of The Annandale onto Parramatta Rd leading the crowd as they went. The band played as the audience huddled around and the singer scaled a traffic light. He then leapt onto the crowd’s outstretched arms.



The Annandale staff had been nervously eyeing the chaos all night, but it was only once the action moved outside and people spilled onto the road that they intervened, forcing the band to head back inside.

I’ve seen some stage antics in my time, but this was the most wild and unpredictable.

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AC/DC – The Boys are Back in Town

Angus Young - dead set legend

Rock’n'roll icons AC/DC returned to the city that spawned them at a bombastic concert in front of 70,000 odd fans at Sydney’s ANZ stadium last night.

I was shooting for Time Out Sydney, whose cover this month is adorned by Angus Young with a feature on the A to Z of AC/DC. Read the review.

As a photographer it was a dream come true to photograph them. They’re worldwide music legends, and to shoot them in full flight in their and my hometown was pretty special.

I had to use a faster shutter speed than usual, not because it was dark (the light was excellent), but because my hands were literally shaking with nervous excitement.


Angus Young from every angle is so iconic; the strut, the mouth open face of concentration, the cap, the shorts, the Gibson SG.

Photographers only got to see three songs, but that included Back in Black, so i was happy.


It was also a pleasant change in the way photographers were treated by the tour staff at the show. Often at gigs photographers are treated as if we’re a burden, like naughty children who need to be rudely disciplined to be kept in line. The attitude sometimes seems to be that we’re paparazzi leeching off the performers – and that we’ll break the rules at any opportunity.

But as we were being handed our accreditation, AC/DC’s American tour manager gave a little speech saying something along the lines of,

“We get to travel the world putting on these great shows and that’s in part due to the support of you guys (the media), so thanks for coming and thanks for your support.”

I felt like applauding – finally someone acknowledging the work of photographers and media is supporting the artists, not swindling them.

That attitude of mutual respect was also reflected in the fact that there was no photo contract. Happy days.

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Rock Photography panel discussion

Nick Cave does not endorse this event - but he does signify 'Rock Photography'

This Friday evening Tony Mott (music photography legend), Joe Ferrara (Art Director of Rolling Stone Australia) and little old me are talking at the Australian Centre for Photography about “Rock Photography“.

Tony will give a 30 minute presentation which will leave you in awe of his career and give you plenty of chuckles – then it’s over to a panel discussion with all three of us which is chaired by Tali Udovich from Blender gallery.

Some of the things up for discussion will include:

  • How to get started as a photographer?
  • How do unknown photographers get their work published?
  • When does the artist pay? When does the record company pay? When does the magazine pay? When don’t you get paid?
  • How much can you expect to be paid for an image?
  • On a technical level, what are the basics that you must ensure are in place with each image?
  • What makes a great image?

We’ll be taking questions from the audience, so it’s your chance to find out from those working in the industry whatever you want to know.

I know i’ll certainly be keen to hear from Rolling Stone how you get an assignment from them these days. And how a freelance photographer can compete with the Getty behemoth.

If there’s anything in particular you’d like to ask, leave a comment here and i’ll make sure it gets addressed.

In summary:

  • What: Panel discussion on Rock Photography
  • When: Friday 19th February 2010, 6-8pm
  • Where: Australian Centre for Photography, 257 Oxford St Paddington
  • Why: Everything you ever wanted to know about rock photography and tales from the frontline
  • How much: $10 for ACP Members, $20 for non-members

Covers – continues to February 20th

The opening night crowd at Covers - photos by Patrick Stevenson

I was quite overwhelmed and touched by the support for Cybele and my photo show Covers opening night on Thursday.

Our thirsty guests smashed through 15 cases of beer and 12 bottles of wine in just the first hour. We sold a bunch of pictures and made some money for Oasis.

Now the first night is over the show continues. The covers will be at Mart Gallery until 20th February. The gallery is open Tuesday to Saturday 12-5pm.

The show and opening night wouldn’t have gone so well without the help of the following people. So HUGE THANKS  to:

  • Mel at Mart Gallery
  • Everyone who’s come along to the show, and especially those who bought prints
  • Becks for providing the booze
  • Liv and Mimi for serving all that booze
  • Patrick Stevenson for taking the opening night photos
  • Cybele for being amazing and the star of the show
  • Justin for all his expertise prepping and hanging the work
  • All the media for helping spread the word about the show

We enjoyed great support from:

Thank you.

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